Jeffrey Bishop creates colorful abstract work. Each biomorphic form contains an energy and vibrancy within its shell, as well as gestural interactions with other organic shapes in the composition.
Bod Badescu
2005
Oil, ink, acrylic on canvas
36 x 32 inches
Heather Hutchison’s minimalist works are comprised of beeswax, pigment, plexiglass, acrylic and birch. The uniform brushstrokes and beeswax create a sensuous surface and display her interest in light, color and depth.
Dark is a Way Light is a Place
2006
Beeswax, pigment, plexiglass, acrylic, birch
24 x 72 x 4.25 inches
Ethan Murrow’s graphite drawings are derived from video stills and photographs of the artist and friends enacting a multitude of scenes. His sharp, detailed drawings depict characters in fictitious narratives, which focus on heroism and the glory of exploration.
Cloud Collecting with The Pinto Brothers: Huffaker and
Lillienthal's dispute ...
2006
Graphite on paper
53 3/4 x 108 inches
Angelina Nasso layers her surfaces with luminous fields of chromatic intensity populated by spots and disks that seem to float on the glossy surface. Nasso's gorgeous colored jewel-like works create spaces that advance and recede deep into the canvas.
Tree Talk
2004
Oil on paper
58 x 112 3/4 inches
Erin Parish’s large paintings integrate a repetition of geometric forms on multi-layered compositions. In her paintings, she fuses assemblage and abstract association in an elegantly controlled visual space.
Information from the Sunset
2006
Oil and epoxy resin on plexi-glass
36 x 57 inches
Christopher Reilly uses encaustic as well as additive and reductive technique to depict imagery that lies somewhere in between the realistic and the surreal. Many of his pieces explore dichotomies, and his works illustrate his reverence for the spirituality and beauty found only in nature.
White Tara
2006
Encaustic on canvas over panel
72 x 60 inches
Tracy Rocca digitally manipulates images to reveal a landscape and horizon, which she then translates into painting. The result is an abstracted interpretation of a landscape that appears to have rapid movement to the point of blurred stillness.
Sea
2005
Oil/alkyd on polyester on panel
48 x 28 inches
Michael Schultheis uses the canvas as his chalkboard to visually depict notations and the progression of an equation or idea. Schultheis’ work serves as a translation of numbers into a visual and understandable form, and illustrates the relationship between math and human experience.
Red Limaçons 04
2006
Acrylic on canvas
48 x 36 inches
Seton Smith’s photographs invite the viewer to consider the various possibilities of space, motion, and scale depicted in a single work. Her works question the viewer and provoke a non-visceral response, thus providing the opportunity to have a purely sensual experience.
And Another Source
2002
Cibachrome photograph
2 of 3
36 x 48 inches
Julie Speidel’s sculptures are heavily influenced by her travels abroad to China, Cambodia, Mongolia, Turkey, Russia, Germany, and the United Kingdom. Primarily working in fabricated bronze and stone, she builds on universal organic forms, reinterpreting them with a clear, contemporary vision.
Oluksak
2006
Bronze, steel cable
84 x 9 1/2 x 9 1/2 inches
For more information call the gallery at [206] 652-5855.
