Three other works in the exhibit are taken from photographic sources depicting moments of intense involvement with imagined realities. In one, The Test, three male cadets scream at a female cadet who stands in deep concentration, resisting their efforts to break her composure. In another, The Re-enactment, two trial lawyers use toy cars and motorcycles to demonstrate how their client died. The last group of works in the exhibition focuses on the figure of Punch, the deformed clown of English tradition (Punchinello in the continental Commedia del'Arte). Punch's comic vulgarity, lack of inhibitions, and his apparent absolution from the normal requirements of society make him a figure of abuse and fascination. He is both a pariah and a free spirit, an alien among us who demonstrates the power of shame and guilt by ignoring them. Taplin's Punch has joined an era in which he appears to be entirely at home; our own.
For further information please contact Amanda Snyder at [212] 327 2526
Sing Tarry-O-Day (for Gregory Gillespie)
2005
Gypsum cement
76 x 48 x 18 inches
The Fight
2002
Urethene Resin
15 x 18 x 11 inches
The Young Punch Goes Shopping with His Mother
2005
Urethene Resin
11 x 6 x 5 inches
The Young Punch Dances with a Brush and Comb
2005
Urethene Resin
10 x 5 x 4 inches
Punch Stopped at the Border
2005
Urethene Resin
11 x 14 x 12 inches
